Then We Came to the End
Joshua Ferris · 2006
Its collective first-person plural voice and deadpan office comedy turn corporate routine into a shared identity that stands in for individual selves.
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Joshua Ferris · 2006
Its collective first-person plural voice and deadpan office comedy turn corporate routine into a shared identity that stands in for individual selves.
Kazuo Ishiguro · 1989
A butler's flat, self-deceiving narration shows how a professional role can hollow out and replace the person inside it, which is exactly the axis of a workplace script becoming a substitute self.
Halle Butler · 2019
A flat, caustic narrator drifts through temp work and self-help platitudes, using routine as a shield against the feeling that her life is going nowhere.
Ling Ma · 2018
A deadpan office novel about routine as a shield against collapse, where the heroine's commitment to corporate normalcy is both funny and quietly horrifying.
Olga Ravn
Spare, affectless statements from workers on a spaceship make bureaucratic routine the only remaining script for personhood, matching the reader's taste for detached, unsettling work fiction.
Hilary Leichter · 2020
A picaresque of temp work with a numb, affectless narrator who keeps trying on roles, directly dramatizing the cost of passing as a normal, employable person.
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